‘A Canterbury Tale (1944)’ (no date). BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/001EA769?bcast=27269462.
‘Action in the North Atlantic (1943)’ (no date). FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0004C80F?bcast=114554988.
‘Air Force (1943)’ (no date). FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/015FDE71?bcast=114313929.
Aitken, I. and Aitken, I. (2013) The Concise Routledge Encyclopedia of the Documentary Film. Hoboken: Taylor and Francis. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=WestminUni&isbn=9780203148068.
Aldgate, A. (1981) ‘Ideological Consensus in British Feature Films, 1935-1945, in K.R.M. Short (ed.), Feature Films as History (1981)’, in. London: Croom Helm.
Aldgate, A. and Richards, J. (1986) Britain can take it: the British cinema in the Second World War. Oxford: Basil Blackwell.
‘Art That Shook the World’ (no date a). BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/RT491A5E?bcast=120534881.
‘Art That Shook the World’ (no date b). BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/RT491A5E?bcast=120534881.
Ashby, J. and Higson, A. (2000) British cinema: past and present. London: Routledge.
Avisar, I. (1993) ‘The Historical Significance of Der Ewige Jude’, Historical Journal of Film, Radio and Television, 13(3), pp. 363–365. Available at: https://doi.org/10.1080/01439689300260301.
Badsey, S.D. (1983) ‘Battle of the Somme: British War Propaganda’, Historical Journal of Film, Radio and Television, 3(2), pp. 99–115. Available at: https://doi.org/10.1080/01439688300260081.
Baird, J.W. (1974) The mythical world of Nazi war propaganda, 1939-1945. Minneapolis: University of Minnesota Press.
Barnouw, E. (1993) Documentary: a history of the non-fiction film. 2nd rev. ed. New York: Oxford University Press.
Barsam, R.M. (1975) Filmguide to ‘Triumph of the will’. Bloomington: Indiana University Press.
Basinger, J. (2003) The World War II combat film: anatomy of a genre. 1st Wesleyan University Press pbk. ed. Middletown, Conn: Wesleyan University Press.
‘Bataan (1943)’ (no date). FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/028C564B?bcast=89362820.
‘Battleship Potemkin (1925)’ (no date). FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/01FCF8C0?bcast=90231254.
BFI Screenonline (no date). Available at: http://www.screenonline.org.uk/.
‘Big Jim McLain (1952)’ (no date). BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00204994?bcast=123597586.
‘Blood on the Sun (1945)’ (no date). Channel 4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00193152?bcast=45661166.
‘Casablanca (1942)’ (no date). FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/001C11A0?bcast=82897813.
Chambers, J.W. and Culbert, D.H. (1996) World War II, film, and history. Oxford: Oxford University Press.
Chapman, J. (1995) ‘The Life and Death of Colonel Blimp (1943) Reconsidered’, Historical Journal of Film, Radio and Television, 15(1), pp. 19–54. Available at: https://doi.org/10.1080/01439689500260021.
Chapman, J. (1996) ‘Production of The True Glory’, Historical Journal of Film, Radio and Television, 16(4), pp. 533–554. Available at: https://doi.org/10.1080/01439689600260531.
Chapman, J. (1998) The British at war: cinema, state and propaganda. London: I. B. Tauris.
Chapman, J. (2003) Cinemas of the world: film and society from 1895 to the present. London: Reaktion. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=WestminUni&isbn=9781861895745.
Claus, H. (2010) ‘Nazis and the Cinema’, Historical Journal of Film, Radio and Television, 30(1), pp. 123–125. Available at: https://doi.org/10.1080/01439680903577383.
Clayton R. Koppes and Gregory D. Black (1977) ‘What to Show the World: The Office of War Information and Hollywood, 1942-1945’, The Journal of American History, 64(1), pp. 87–105. Available at: http://www.jstor.org/stable/1888275?origin=crossref&&seq=1#page_scan_tab_contents.
Clive Coultass (1984) ‘British Feature Films and the Second World War’, Journal of Contemporary History, 19(1), pp. 7–22. Available at: http://www.jstor.org/stable/260423?seq=1#page_scan_tab_contents.
Cole, R. (2001) ‘Anglo-American Anti-fascist Film Propaganda in a Time of Neutrality: The Great Dictator , 1940’, Historical Journal of Film, Radio and Television, 21(2), pp. 137–152. Available at: https://doi.org/10.1080/01439680120051488.
Communism (no date). Available at: https://archive.org/details/prelinger?and[]=communism.
Communism : Hearst Metrotone News, Inc. : (no date). Available at: https://archive.org/details/0771_Communism_12_01_27_28.
Coultass, C. (1989) Images for battle: British film and the Second World War, 1939-1945. Newark: University of Delaware Press.
Culbert, D. and Loiperdinger, M. (1992) ‘Leni Riefenstahl’s                              : the 1935 Nazi Party Rally film’, Historical Journal of Film, Radio and Television, 12(1), pp. 3–40. Available at: https://doi.org/10.1080/01439689200260011.
Culbert, David (no date) ‘This is the Army’, History Today, 50(4), pp. 43–49. Available at: http://search.proquest.com/docview/202814608?OpenUrlRefId=info:xri/sid:primo&accountid=14987.
Curran, J. and Porter, V. (1983) British cinema history. Totowa, N.J.: Barnes and Noble.
‘Dangerous Moonlight (1941)’ (no date). BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0001E1DB?bcast=116257638.
David Welch (2004) ‘Nazi Propaganda and the Volksgemeinschaft: Constructing a People’s Community’, Journal of Contemporary History, 39(2), pp. 213–238. Available at: http://www.jstor.org/stable/3180722?seq=1#page_scan_tab_contents.
‘Days of Glory (1944)’ (no date). BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0014DDB4?bcast=98416235.
Deutsch, J.I. (2015) ‘Hollywood exiles in Europe: the blacklist and Cold War film culture’, Historical Journal of Film, Radio and Television, 35(1), pp. 199–200. Available at: https://doi.org/10.1080/01439685.2014.997576.
Dick, B.F. (1996) The star-spangled screen: the American World War II film. [Revised edition]. Lexington, Kentucky: University Press of Kentucky.
Doherty, T.P. (1999) Projections of war: Hollywood, American culture, and World War II. [Rev. and updated ed.]. New York: Columbia University Press.
Doherty, T.P. (2013) Hollywood and Hitler, 1933-1939. New York: Columbia University Press. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=WestminUni&isbn=9780231535144.
Downing, T. and British Film Institute (2012) Olympia. 2nd ed. London: Palgrave Macmillan.
Duck and Cover : Archer Productions, Inc. : Free Download & Streaming : Internet Archive (no date). Available at: https://archive.org/details/DuckandC1951.
‘Edge of Darkness (1943)’ (no date). Channel 4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00041141?bcast=80561610.
Eisenstein, S., Matias, D. and Leyda, J. (1974) Battleship Potemkin ; [and], October ; and, Alexander Nevsky. London: Lorrimer.
Eisenstein, S., Pavlenko, P. and Tisse, E. (1938) ‘Alexander Nevsky’. [USSR] : Sovexportfilm: Eureka Video.
Film Indexes Online Home Page (no date). Available at: http://film.chadwyck.co.uk/fiaf/home.
‘Foreign Correspondent (1940)’ (no date). BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00044891?bcast=36690665.
Fox, J. (2000) Filming women in the Third Reich. Oxford: Berg.
Furhammar, L., Isaksson, F. and French, K. (1971) Politics and film. London: Studio Vista.
Glancy, H.M. (1999) When Hollywood loved Britain: the Hollywood ‘British’ film 1939-1945. Manchester: Manchester University Press.
Glancy, M. (2011) ‘British Cinema and The Second World War: Audiences, Cinema-Going and Popular Films’, Historical Journal of Film, Radio and Television, 31(4), pp. 451–451. Available at: https://doi.org/10.1080/01439685.2011.620833.
‘Guadalcanal Diary (1943)’ (no date). FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/000191A1?bcast=92120238.
Hammond, M. and Williams, M. (2011) British silent cinema and the Great War. Basingstoke: Palgrave Macmillan. Available at: http://www.palgraveconnect.com.uow.idm.oclc.org/doifinder/10.1057/9780230321663.
‘Henry V (1945)’ (no date). ITV3. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00796F58?bcast=87167446.
Herzstein, R.E. (no date) The war that Hitler won. London: H. Hamilton.
Hiley, N.P. (1985) ‘The British Army Film’, “You!” and “For the Empire”: Reconstructed Propaganda Films, 1914-1916’, Historical Journal of Film, Radio and Television, 5(2), pp. 165–182. Available at: https://doi.org/10.1080/01439688500260171.
Hirsch, P. (2012) ‘Authorship and Propaganda: Phyllis Bottome and the Making of The Mortal Storm (1940)’, Historical Journal of Film, Radio and Television, 32(1), pp. 57–72. Available at: https://doi.org/10.1080/01439685.2012.648053.
‘Historical Journal of Film, Radio and Television’ (no date). Available at: https://uow.idm.oclc.org/login?url=http://www.tandfonline.com/loi/chjf20#.Vp5Xt_mLSUk.
Hoffmann, H. (1996a) The triumph of propaganda: film and National Socialism, 1933-1945. Providence, R.I.: Berghahn Books.
Hoffmann, H. (1996b) The triumph of propaganda: film and National Socialism, 1933-1945. Providence, R.I.: Berghahn Books.
Home | BFI InView (no date). Available at: https://www.bfi.org.uk/inview/.
Hornsh⊘j-M⊘ller, S. and Culbert, D. (1992) ‘Judd Suss (1940): Joseph Goebbels’ unequaled monument to anti-Semitism’, Historical Journal of Film, Radio and Television, 12(1), pp. 41–67. Available at: https://doi.org/10.1080/01439689200260021.
Houston, P. (1992) Went the day well? London: BFI Pub.
Houston, P. (no date) ‘Witnesses of War’, 43(2), pp. 110–112. Available at: http://fiaf.chadwyck.com/fulltext/pageimage.do?id=005/p209-1974-043-02-000011&area=index&fromToC=yes&jid=006/0000306.
Hull, D.S. (1969) Film in the Third Reich: a study of the German cinema, 1933-1945. Berkeley (Calif.): University of California Press.
‘(I Was A Communist For The FBI’ (no date). Available at: https://www.youtube.com/watch?v=R8zhmCjV71w.
‘In Which We Serve (1942)’ (no date). BBC4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00003EDA?bcast=93364747.
James, C.V. (1973) Soviet socialist realism: origins and theory. London: Macmillan.
Jarvie, I. (1988) ‘The Burma Campaign on Film: Objective Burma (1945), The Stilwell Road (1945) and Burma Victory (1945)’, Historical Journal of Film, Radio and Television, 8(1), pp. 55–73. Available at: https://doi.org/10.1080/01439688800260031.
Jarvie, I. (2008) ‘The Cold War And The Movie Industry’, Historical Journal of Film, Radio and Television, 28(2), pp. 241–247. Available at: https://doi.org/10.1080/01439680802078764.
Jarvie, I.C. (1981) ‘Fanning the Flames: anti-American Reaction to Operation Burma (1945)’, Historical Journal of Film, Radio and Television, 1(2), pp. 117–137. Available at: https://doi.org/10.1080/01439688100260111.
Jay W. Baird (1983) ‘From Berlin to Neubabelsberg: Nazi Film Propaganda and Hitler Youth Quex’, Journal of Contemporary History, 18(3), pp. 495–515. Available at: http://www.jstor.org/stable/260548?seq=1#page_scan_tab_contents.
Katz, E., Klein, F. and Nolen, R.D. (2001) The Macmillan international film encyclopedia. 4th ed. London: Macmillan.
Kelly, A. (1997) Cinema and the Great War. London: Routledge.
Kenez, P. (1992) Cinema and Soviet society, 1917-1953. Cambridge: Cambridge University Press.
Koppes, C.R. and Black, G.D. (1990) Hollywood goes to war: how politics, profits, and propaganda shaped World War II movies. Berkeley: University of California Press.
Kracauer, S. (1974) From Caligari to Hitler: a psychological history of the German film. Princeton, N.J.: Princeton University Press.
Laurie, C.D. (1996) The propaganda warriors: America’s crusade against Nazi Germany. Lawrence, Kan: University Press of Kansas.
Leff, L.J. and Simons, J. (1983) ‘Wilson: Hollywood Propaganda for World Peace’, Historical Journal of Film, Radio and Television, 3(1), pp. 3–18. Available at: https://doi.org/10.1080/01439688300260011.
Leiser, E., Mander, G. and Wilson, D. (1974) Nazi cinema. London: Secker and Warburg.
Lewis Jacobs (1968) ‘World War II and the American Film’, Cinema Journal, 7, pp. 1–21. Available at: http://www.jstor.org/stable/1224874?origin=crossref&seq=1#page_scan_tab_contents.
Lewis, Jonathan (no date) ‘Filming the First World War’, History Today, 53(10), pp. 20–22. Available at: http://search.proquest.com/docview/1035742157/A2698126C4F4461PQ/1?accountid=14987.
Leyda, J. (1983) Kino: a history of the Russian and Soviet film. 3rd ed. London: Allen & Unwin.
‘Lifeboat (1944)’ (no date). More4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/011D2DC5?bcast=123315260.
Linda Schulte-Sasse (1988) ‘The Jew as Other under National Socialism: Veit Harlan’s Jud Süß’, The German Quarterly, 61(1), pp. 22–49. Available at: http://www.jstor.org/stable/407114?origin=crossref&seq=1#page_scan_tab_contents.
Lipschutz, R.D. (2001) Cold War fantasies: film, fiction, and foreign policy. Lanham, Md: Rowman & Littlefield. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=WestminUni&isbn=9780742573949.
Listov, V., Taylor, R. and Spring, D. (1991) ‘Early Soviet Cinema: the Spontaneous and the Planned’, Historical Journal of Film, Radio and Television, 11(2), pp. 121–127. Available at: https://doi.org/10.1080/01439689100260141.
Loiperdinger, M. and Culbert, D. (1988) ‘Leni Riefenstahl, the SA, and the Nazi Party Rally Films, Nuremburg 1933-1934: “Sieg des Glaubens” and ‘Triumph of the Will’, Historical Journal of Film, Radio and Television, 8(1), pp. 3–38. Available at: https://doi.org/10.1080/01439688800260011.
Manvell, R. (1974) Films and the Second World War. London: Dent.
Marc Ferro (1968) ‘1917: History and Cinema’, Journal of Contemporary History, 3(4), pp. 45–61. Available at: http://www.jstor.org/stable/259850?seq=1#page_scan_tab_contents.
Marc Ferro (1983) ‘Film as an Agent, Product and Source of History’, Journal of Contemporary History, 18(3), pp. 357–364. Available at: http://www.jstor.org/stable/260542?seq=1#page_scan_tab_contents.
McFarlane, B. and Slide, A. (2008) The encyclopedia of British film. 3rd ed. London: Methuen.
MediaPlus | Jisc (no date). Available at: https://www.jisc.ac.uk/mediaplus.
Messinger, G.S. (1993) ‘An Inheritance Worth Remembering: the British Approach to Official Propaganda during the First World War’, Historical Journal of Film, Radio and Television, 13(2), pp. 117–127. Available at: https://doi.org/10.1080/01439689300260161.
Millar, D. (1969) ‘Fires Were Started’, (Spring). Available at: https://search.proquest.com/docview/1305507798?accountid=14987.
‘Millions like Us (1943)’ (no date). FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/005C5F41?bcast=96508933.
‘Mrs. Miniver (1942)’ (no date). BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00083F28?bcast=113827275.
Murphy, R. (1989) Realism and tinsel: cinema and society in Britain, 1939-1948. London: Routledge.
Murphy, W.T. (no date) ‘The method of “Why we fight”.’, 1(3). Available at: http://fiaf.chadwyck.com/fullrec/indexFullRec.do?id=004/0164281&area=index&fromToC=yes.
Navailh, F. (1992) ‘The Emancipated Woman: Stalinist Propaganda in Soviet Feature Film 1930- 1950’, Historical Journal of Film, Radio and Television, 12(3), pp. 203–215. Available at: https://doi.org/10.1080/01439689200260141.
‘Night Train to Munich (1940)’ (no date). Channel 4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/005AEDD7?bcast=24686110.
‘None But the Lonely Heart (1944)’ (no date). BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00020703?bcast=93362614.
Nurse Edith Cavell : Herbert Wilcox : Free Download & Streaming : Internet Archive (no date). Available at: https://archive.org/details/NurseEdithCavell.
‘Objective, Burma! (1945)’ (no date). FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00024701?bcast=101162287.
‘Oh, Mr Porter! (1937)’ (no date). BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00707119?bcast=63099122.
‘One of Our Aircraft Is Missing (1942)’ (no date). FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/000220DB?bcast=31634717.
Our Cities Must Fight (no date). Available at: https://archive.org/details/71732OurCitiesMustFight.
Paret, P. (1994) ‘Kolberg (1945) as a Historical Film and Historical Document’, Historical Journal of Film, Radio and Television, 14(4), pp. 433–448. Available at: https://doi.org/10.1080/01439689400260321.
Paris, Michael (no date) ‘The RAF on Screen’, History Today, 40(8). Available at: http://search.proquest.com/docview/1299028678?OpenUrlRefId=info:xri/sid:primo.
‘Pimpernel Smith (1941)’ (no date). FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/000212B4?bcast=91225910.
Poole, J. (1987) ‘British Cinema Attendance in Wartime: Audience Preference at the Majestic, Macclesfield, 1939-1946’, Historical Journal of Film, Radio and Television, 7(1), pp. 15–34. Available at: https://doi.org/10.1080/01439688700260021.
Prelinger Archives : Free Movies : Download & Streaming : Internet Archive (no date). Available at: https://archive.org/details/prelinger.
Price of Liberty, The (no date). Available at: https://archive.org/details/0723_Price_of_Liberty_The_14_43_15_00.
Pronay, N. and Spring, D.W. (1982) Propaganda, politics and film, 1918-45. London: Macmillan.
Raack, R.C. (1986) ‘Nazi Film Propaganda and the Horrors of War’, Historical Journal of Film, Radio and Television, 6(2), pp. 189–195. Available at: https://doi.org/10.1080/01439688600260201.
Rattigan, N. (2001) This is England: British film and the People’s War, 1939-1945. Cranberry, N.J.: Associated University Presses.
Reeves, N. (1993) ‘The Power of Film Propaganda – Myth or Reality?’, Historical Journal of Film, Radio and Television, 13(2), pp. 181–201. Available at: https://doi.org/10.1080/01439689300260201.
Reeves, N. (1997) ‘Cinema, spectatorship and propaganda: “Battle of the Somme” (1916) and its contemporary audience’, Historical Journal of Film, Radio and Television, 17(1), pp. 5–28. Available at: https://doi.org/10.1080/01439689700260601.
Reeves, N. (1999) The power of film propaganda: myth or reality? London: Cassell.
Reeves, N. and Imperial War Museum (Great Britain) (1986) Official British film propaganda during the First World War. London: Croom Helm in association with the Imperial War Museum.
Rhodes, A. and Margolin, V. (1976) Propaganda: the art of persuasion : World War II. London: Angus and Robertson.
Richard Taylor (1983) ‘A “Cinema for the Millions”: Soviet Socialist Realism and the Problem of Film Comedy’, Journal of Contemporary History, 18(3), pp. 439–461. Available at: http://www.jstor.org/stable/260546?seq=1#page_scan_tab_contents.
Richards, J. (1984) The age of the dream palace: cinema and society in Britain 1930-1939. London: Routledge & Kegan Paul.
Richards, J., Sheridan, D., and Mass-Observation (1987) Mass-Observation at the movies. London: Routledge & Kegan Paul.
Riefenstahl, L. (1992) The sieve of time: the memoirs of Leni Riefenstahl. London: Quartet Books.
Roberts, G. (1999) Forward Soviet!: history and non-fiction film in the USSR. London: I.B. Tauris.
Robertson, J.C. (1982) ‘British Film Censorship goes to War’, Historical Journal of Film, Radio and Television, 2(1), pp. 49–64. Available at: https://doi.org/10.1080/01439688200260041.
Robertson, J.C. (1985) The British Board of Film Censors: film censorship in Britain, 1896-1950. London: Croom Helm.
Rother, R. (2007) ‘What is a National Socialist Film?’, Historical Journal of Film, Radio and Television, 27(4), pp. 455–469. Available at: https://doi.org/10.1080/01439680701552539.
Sadoul, G. and Morris, P. (1972) Dictionary of films. Berkeley: University of California Press.
Sakmyster, T. (1996) ‘Nazi Documentaries of Intimidation: Feldzug in Polen (1940), Feuertaufe (1940) and Sieg im Westen (1941)’, Historical Journal of Film, Radio and Television, 16(4), pp. 485–514. Available at: https://doi.org/10.1080/01439689600260511.
Salkeld, A. (1996) A portrait of Leni Riefenstahl. London: Jonathan Cape. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=WestminUni&isbn=9781446475270.
‘San Demetrio London (1947)’ (no date). BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00030F47?bcast=121563618.
Sanders, M.L. (1983) ‘British Film Propaganda in Russia 1916-1918’, Historical Journal of Film, Radio and Television, 3(2), pp. 117–129. Available at: https://doi.org/10.1080/01439688300260091.
Sanders, M.L. and Taylor, P.M. (1982) British propaganda during the First World War, 1914-18. London: Macmillan.
Sayre, N. (1982) Running time: films of the Cold War. New York: Dial Press.
Schebera, J. (1998) ‘Hangmen Also Die (1943): Hollywood’s Brecht-Eisler collaboration’, Historical Journal of Film, Radio and Television, 18(4), pp. 567–573. Available at: https://doi.org/10.1080/01439689800260371.
Schnitzer, L. et al. (1973) Cinema in revolution: the heroic era of the Soviet film. London: Secker and Warburg.
Sedgwick, J. (1998) ‘Film “Hits” and “Misses” in mid-1930s Britain’, Historical Journal of Film, Radio and Television, 18(3), pp. 333–351. Available at: https://doi.org/10.1080/01439689800260221.
‘Seeing Through Movies, I.C. Jarvie, in Philosophy of the Social Sciences, 8 (1978)’ (no date). Available at: http://library-collections-search.westminster.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=dedupmrg1139371&indx=1&recIds=dedupmrg1139371&recIdxs=0&elementId=&renderMode=poppedOut&displayMode=full&http://wst-primo.hosted.exlibrisgroup.com:1701/primo_library/libweb/action/expand.do?dscnt=0&frbrVersion=&frbg=&scp.scps=scope%3A%28CALM_WST%29%2Cscope%3A%28LMS_WST%29%2Cscope%3A%28SFX_WST%29%2Cscope%3A%28ML_WST%29%2Cscope%3A%28CAV%29%2Cscope%3A%28REG%29%2Cscope%3A%28MRD%29%2Cscope%3A%28HRW%29&tab=local&dstmp=1433433434803&srt=rank&mode=Basic&gathStatTab=true&dum=true&tb=t&vl(freeText0)=Philosophy%20of%20the%20Social%20Sciences&vid=WST_VU1.
Shindler, C. (1979) Hollywood goes to war: films and American society, 1939-1952. London: Routledge and Kegan Paul.
Short, K.R.M. (1981) Feature films as history. London: Croom Helm.
Short, K.R.M. (1982) ‘’The White Cliffs of Dover’: Promoting the Anglo-American Alliance in World War II’, Historical Journal of Film, Radio and Television, 2(1), pp. 3–25. Available at: https://doi.org/10.1080/01439688200260011.
Short, K.R.M. (1997) ‘RAF Bomber Command’s Target for Tonight (1941)’, Historical Journal of Film, Radio and Television, 17(2), pp. 181–218. Available at: https://doi.org/10.1080/01439689700260691.
Short, K.R.M. and Taylor, R. (1986) ‘Soviet Cinema and the International Menace, 1928-1939’, Historical Journal of Film, Radio and Television, 6(2), pp. 131–159. Available at: https://doi.org/10.1080/01439688600260171.
Smith, A. (2003) ‘Humphrey Jennings’ Heart of Britain (1941): A reassessment’, Historical Journal of Film, Radio and Television, 23(2), pp. 133–151. Available at: https://doi.org/10.1080/0143968032000091077.
Smith, D.C. and Riefenstahl, L. (1990) Triumph of the will: a film by Leni Riefenstahl. Richardson, Tex: Celluloid Chronicles Press.
Smith, P. (1976a) The historian and film. Cambridge: Cambridge University Press. Available at: https://library-collections-search.westminster.ac.uk/discovery/fulldisplay?docid=alma990000666110203711&context=L&vid=44WST_INST:WST_VUA&lang=en&search_scope=MyInstitution&adaptor=Local%20Search%20Engine&tab=LibraryCatalog&query=any,contains,The%20Historian%20and%20Film&offset=0.
Smith, P. (1976b) The historian and film. Cambridge: Cambridge University Press. Available at: https://library-collections-search.westminster.ac.uk/discovery/fulldisplay?docid=alma990000666110203711&context=L&vid=44WST_INST:WST_VUA&lang=en&search_scope=MyInstitution&adaptor=Local%20Search%20Engine&tab=LibraryCatalog&query=any,contains,The%20Historian%20and%20Film&offset=0.
Smither, R. (1993) ‘A Wonderful Idea of the Fighting”: the Question of Fakes in the Battle of the Somme’, Historical Journal of Film, Radio and Television, 13(2), pp. 149–168. Available at: https://doi.org/10.1080/01439689300260181.
Sorlin, P. (1990) European cinemas, European societies 1939-1990. London: Routledge.
Stead, P. (1989a) Film and the working class: the feature film in British and American society. London: Routledge.
Stead, P. (1989b) Film and the working class: the feature film in British and American society. London: Routledge.
Stites, R. (1991) ‘Soviet Movies for the Masses and for Historians’, Historical Journal of Film, Radio and Television, 11(3), pp. 243–252. Available at: https://doi.org/10.1080/01439689100260251.
Strada, M.J. and Troper, H. (1997) Friend or foe?: Russians in American film and foreign policy, 1933-1991. Lanham, Md: Scarecrow.
Swann, P. (1983) ‘John Grierson and the G.P.O. Film Unit, 1933-1939’, Historical Journal of Film, Radio and Television, 3(1), pp. 19–34. Available at: https://doi.org/10.1080/01439688300260021.
Taylor, B. and Will, W. van der (1990a) The Nazification of art: art, design, music, architecture and film in the Third Reich. Winchester: Winchester Press.
Taylor, B. and Will, W. van der (1990b) The Nazification of art: art, design, music, architecture and film in the Third Reich. Winchester: Winchester Press.
Taylor, P.M. (1988) Britain and the cinema in the Second World War. Basingstoke: Macmillan.
Taylor, P.M. (1993) ‘Introduction: Britain and the Cinema in the First World War’, Historical Journal of Film, Radio and Television, 13(2), pp. 115–116. Available at: https://doi.org/10.1080/01439689300260151.
Taylor, R. (1979) The politics of the Soviet cinema, 1917-1929. Cambridge: Cambridge University Press.
Taylor, R. (1986) ‘Boris Shumyatsky and the Soviet Cinema in the 1930s; ideology as mass entertainment’, Historical Journal of Film, Radio and Television, 6(1), pp. 43–64. Available at: https://doi.org/10.1080/01439688600260031.
Taylor, R. (1988) ‘Eisenstein: 1898-1948-1988’, Historical Journal of Film, Radio and Television, 8(2), pp. 189–193. Available at: https://doi.org/10.1080/01439688800260201.
Taylor, R. (1998a) Film propaganda: Soviet Russia and Nazi Germany. 2nd ed. London: I. B. Tauris.
Taylor, R. (1998b) Film propaganda: Soviet Russia and Nazi Germany. 2nd ed. London: I. B. Tauris.
Taylor, R. (2002) October. London: British Film Institute.
Taylor, R. and Christie, I. (1994) The Film factory: Russian and Soviet cinema in documents 1896-1939. London: Routledge. Available at: https://www-taylorfrancis-com.uow.idm.oclc.org/books/9780203059920.
Taylor, R. and Spring, D. (1991) ‘Russian and Soviet Cinema: Continuity and Change’, Historical Journal of Film, Radio and Television, 11(2), pp. 103–104. Available at: https://doi.org/10.1080/01439689100260121.
Taylor, R. and Spring, D.W. (1993) Stalinism and Soviet cinema. London: Routledge. Available at: https://www-taylorfrancis-com.uow.idm.oclc.org/books/9781315003078.
Taylor, Richard (1990) ‘Soviet cinema - the path to Stalin’, History Today, 40, pp. 43–48. Available at: http://search.proquest.com/docview/1035827928?OpenUrlRefId=info:xri/sid:primo&accountid=14987.
Tegel, S. (1996) ‘Veit Harlan and the Origins of Jud Süss; Opportunism in the Creation of Nazi Anti-Semitic Propaganda’, Historical Journal of Film, Radio and Television, 16(4), pp. 515–531. Available at: https://doi.org/10.1080/01439689600260521.
Tegel, S. (2003) ‘Leni Riefenstahl’s Career Reassessed’, Historical Journal of Film, Radio and Television, 23(3), pp. 279–283. Available at: https://doi.org/10.1080/0143968032000095604.
Tegel, S. (2005) ‘Jud Süss’, Historical Journal of Film, Radio and Television, 25(1), pp. 155–161. Available at: https://doi.org/10.1080/01439680500065691.
Tegel, S. (2007) Nazis and the cinema. London: Hambledon Continuum.
‘Tender Comrade (1943)’ (no date). BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/001AD062?bcast=112579617.
The Big Lift : William Perlberg : Free Download & Streaming : Internet Archive (no date). Available at: https://archive.org/details/the_big_lift_ipod.
‘The Cross of Lorraine (1943)’ (no date). FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/026FE7A8?bcast=92014198.
‘The Gentle Sex (1943)’ (no date). FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/005C5DF1?bcast=87577049.
‘The Great Dictator (1940)’ (no date). Arte. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/000804D2?bcast=121365663.
‘The Green Berets (1968)’ (no date). ITV4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00042928?bcast=120742140.
‘The Life and Death of Colonel Blimp (1943)’ (no date). ITV4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/000B21AC?bcast=114573660.
The Memphis Belle: A Story of a Flying Fortress : First Motion Picture Unit of the U.S. Army Air Corps : Free Download & Streaming : Internet Archive (no date). Available at: https://archive.org/details/TheMemphisBelleAStoryofaFlyingFortress.
The Navy Way : Free Download & Streaming : Internet Archive (no date). Available at: https://archive.org/details/TheNavyWay.
‘The Red Menace’ (no date). Available at: https://www.youtube.com/watch?v=6KWHDNPdoCg.
‘The Stars Look Down (1939)’ (no date). BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0001B5C1?bcast=104493786.
‘The Way Ahead (1944)’ (no date). FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/005AEBAC?bcast=70891967.
‘The Way to the Stars’ (no date). Available at: http://readinglists.westminster.ac.uk/ui/forms/bookmarklet.html?fast=true&targetTitle=BOB%20on%20demand&rft.title=The%20Way%20to%20the%20Stars%20(1945)&rft.pub=BBC2%20England&rft.date=Sunday%2C%2017%20Jan%202010&rft.genre=AudioVisualDocument&uri=https%253A%252F%252Flearningonscreen.ac.uk%252Fondemand%252Findex.php%252Fprog%252F00007155%253Fbcast%253D40204027.
‘The Wonderful Horrible Life of Leni Riefenstahl (1991)’ (no date). BBC4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/004ACA50?bcast=2766017.
‘This Happy Breed (1944)’ (no date). More4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/004FB0A6?bcast=93526381.
‘This Land Is Mine (1943)’ (no date). BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0000EDC0?bcast=121101773.
Thompson, K. and Bordwell, D. (2003) Film history: an introduction. 2nd ed. London: McGraw-Hill.
Thomson, D. (2014) The new biographical dictionary of film. Sixth edition. New York: Alfred A. Knopf.
Thorpe, F., Pronay, N. and Coultass, C. (1980) British official films in the Second World War: an descriptive catalogue. Oxford: Clio Press.
‘Three Songs about Lenin’ (no date). Available at: https://www.youtube.com/watch?v=JeWK5iRp0BE.
‘To Have and Have Not (1944)’ (no date). BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/000EBF54?bcast=27336832.
‘Triumph of the Will (1934)’ (no date). BBC4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00022254?bcast=8593882.
University of Indiana Media Collections Online (no date). Available at: https://media.dlib.indiana.edu/.
W. Anthony Sheppard (2001) ‘An Exotic Enemy: Anti-Japanese Musical Propaganda in World War II Hollywood’, Journal of the American Musicological Society, 54(2), pp. 303–357. Available at: http://www.jstor.org/stable/10.1525/jams.2001.54.2.303.
‘We Dive at Dawn (1943)’ (no date). BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00164027?bcast=123850705.
Welch, D. (1987) ‘Propaganda and Indoctrination in the Third Reich: Success or Failure?’, European History Quarterly, 17(4), pp. 403–422. Available at: https://doi.org/10.1177/026569148701700401.
Welch, D. (1993a) The Third Reich: politics and propaganda. London: Routledge.
Welch, D. (1993b) The Third Reich: politics and propaganda. London: Routledge.
Welch, D. (2001) Propaganda and the German cinema 1933-1945. Rev. ed. London: I.B. Tauris. Available at: https://ebookcentral.proquest.com/lib/westminster/detail.action?docID=677140.
Welch, D. (no date) Nazi propaganda: the power and the limitations. London: Croom Helm.
Welch, David (no date) ‘Hitler’s history films’, History Today, 52(12), pp. 20–25. Available at: http://search.proquest.com/docview/202815762?accountid=14987&OpenUrlRefId=info:xri/sid:primo.
‘Went the Day Well? (1944)’ (no date). FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/027DDAEE?bcast=82765137.
Whitton, J.B. (2012) Propaganda and the cold war: a Princeton University symposium. [Whitefish, MT.]: Literary Licensing LLC.
Willcox, T. (1990) ‘Soviet Films, Censorship and the British Government: a Matter of Public Interest’, Historical Journal of Film, Radio and Television, 10(3), pp. 275–292. Available at: https://doi.org/10.1080/01439689000260211.
Winkel, R.V. (2003) ‘Nazi Germany’s Fritz Hippler, 1909-2002’, Historical Journal of Film, Radio and Television, 23(2), pp. 91–99. Available at: https://doi.org/10.1080/0143968032000091040.
Winkler, A.M. (1978) The politics of propaganda: the Office of War Information, 1942-1945. New Haven: Yale University Press.
Winston, Brian (no date) ‘Triumph of the will’, History Today, 47(1), pp. 24–28. Available at: http://search.proquest.com/docview/202811883?OpenUrlRefId=info:xri/sid:primo&accountid=14987.
Yangirov, R. and Taylor, R. (1991) ‘Soviet Cinema in the Twenties: National Alternatives’, Historical Journal of Film, Radio and Television, 11(2), pp. 129–139. Available at: https://doi.org/10.1080/01439689100260151.
Youngblood, D.J. (1991) ‘History on Film: the Historical Melodrama in early Soviet Cinema’, Historical Journal of Film, Radio and Television, 11(2), pp. 173–184. Available at: https://doi.org/10.1080/01439689100260191.