Aitken, I. (1990) Film and reform: John Grierson and the documentary film movement. London: Routledge. Available at: http://www.tandfebooks.com/action/ssostart?idp=https://idp.wmin.ac.uk/entity&redirectUri=/isbn/9781315855936.
Arthur, Paul (2003) ‘True Confessions, Sort Of: Capturing the Friedmans and the Dilemma of Theatrical Documentary.’, Cineaste, 28(4), pp. 4–7. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=505027185&site=ehost-live&scope=site.
Aufderheide, P. (no date) ‘Public Intimacy: The Development of First-Person Documentary’. Available at: http://bono.planet.ee/variaator/gj/dok/publicintimacy.pdf.
Bruzzi, S. (2006) New documentary. 2nd ed. London: Routledge. Available at: http://search.ebscohost.com.uow.idm.oclc.org/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=171085.
‘Cathy Come Home’ (no date). BBC4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00028C79?bcast=122896043.
‘Grizzly Man’ (no date). Channel 4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0115FB38?bcast=33329512.
Letter to Theresa by Chris Marker – Behind the Veils of Sans Soleil ~ Chris Marker (no date). Available at: http://chrismarker.org/chris-marker/notes-to-theresa-on-sans-soleil-by-chris-marker/.
Macdonald, K. and Cousins, M. (1996) Imagining reality: the Faber book of the documentary. London: Faber.
‘Marker changes trains.SANS SOLEIL’ (1984) Sight & Sound, LIII(4), pp. 284–288. Available at: http://search.proquest.com/fiaf/docview/1305505903/fulltext/B0A5C0F18BA1476DPQ/1?accountid=14987.
Nichols, B. (1991) Representing reality: issues and concepts in documentary. Bloomington, Ind: Indiana University Press.
Nichols, B. (1994) Blurred boundaries: questions of meaning in contemporary culture. Bloomington: Indiana University Press.
Nichols, B. (2017) Introduction to documentary. Third edition. Bloomington: Indiana University Press. Available at: https://ebookcentral.proquest.com/lib/westminster/detail.action?docID=4813367.
‘On Documentary: The Zaprudder Quotient’ (no date). Available at: https://michaelchanan.files.wordpress.com/2010/08/zapruder1.pdf.
Rosenthal, A. and Corner, J. (2005) New challenges for documentary. 2nd ed. Manchester: Manchester University Press.
Saunders, D. (2007) Direct cinema: observational documentary and the politics of the sixties. London: Wallflower Press.
Ten Brink, J. (2007) Building bridges: the cinema of Jean Rouch. London: Wallflower.
Ten Brink, J. and Oppenheimer, J. (eds) (2012) Killer images: documentary film, memory and the performance of violence. New York: Wallflower Press. Available at: http://westminster.eblib.com/patron/FullRecord.aspx?p=946273.
The Act of Killing: art, documentary or research with impact? | Times Higher Education (THE) (no date). Available at: https://www.timeshighereducation.com/comment/columnists/the-act-of-killing-art-documentary-or-research-with-impact/2006482.article.
The Act of Killing: don’t give an Oscar to this snuff movie | Nick Fraser | Film | The Guardian (no date). Available at: https://www.theguardian.com/commentisfree/2014/feb/23/act-of-killing-dont-give-oscar-snuff-movie-indonesia.
Vaughan, D. (1999a) For documentary: twelve essays. Berkeley, Calif: University of California Press.
Vaughan, D. (1999b) For documentary: twelve essays. Berkeley, Calif: University of California Press.
Warren, C. (1996) Beyond document: essays on nonfiction film. Hanover, NH: University Press of New England.
Williams, L. (1993) ‘Mirrors without Memories: Truth, History, and the New Documentary’, Film Quarterly, 46(3), pp. 9–21. Available at: https://doi.org/10.2307/1212899.
Winston, B. (2000) Lies, damn lies and documentaries. London: British Film Institute, pp. 132–156.
Winston, B. and British Film Institute (2013) The documentary film book. London: Palgrave Macmillan on behalf of the British Film Institute.
